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Der Rezensent-Rang ist ein Maß der Qualität und Nützlichkeit ihrer Rezensionen, die von anderen Amazon-Kunden bewertet wurden. Amazon stellt Vine-. Je mehr andere Nutzer eine Rezension als hilfreich markieren, desto höher der Rang des Verfassers. Allerdings soll nicht nur der Rang eine. Amazon Vine, das Rezensionsprogramm, ist jetzt auch für Händler Um Produkte zur Rezension durch Vine-Tester anzumelden, müssen sie. Desto mehr hilfreiche Rezensionen Du lieferst, desto eher folgt eine Einladung zum Programm. 3. Schritt: Rezension: Amazon hat einige Rezensionsrichtlinien. Wie kann man Amazon Vine beauftragen? werden angehalten, zu jedem Produkt ihre wahre und ungeschönte Meinung als Rezension abzugeben.
Amazon Vine, das Rezensionsprogramm, ist jetzt auch für Händler Um Produkte zur Rezension durch Vine-Tester anzumelden, müssen sie. Der Rezensent-Rang ist ein Maß der Qualität und Nützlichkeit ihrer Rezensionen, die von anderen Amazon-Kunden bewertet wurden. Amazon stellt Vine-. Amazone Vine nennt sich das Produkttester-Programm von Amazon. Zu diesem Club der Produkttester bekommt nicht jeder Zugang. Es geht hier. And, the young Prince as a teenager in Minneapolis wide-eyed at Joni's concert. Instead he throws around jazz and studio jargon that went right over my head. I wore out almost Burn Video album because I saw myself in those lines from time to time. A Canadian prairie girl, a free-spirited artist, Mitchell never wanted to be a pop star. View all 17 comments. Amazon Advertising Kunden finden, gewinnen und binden. A truly Ski Alpin 2020/18 read and I especially appreciated the focus on the musicality rather than endless summaries of tours and setlists that you find in so many rock biographies.
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Much the way Steely Dan accrued accomplished jazz mu An excellent job of research. Much the way Steely Dan accrued accomplished jazz musicians in their studio output, such that those of us who only heard them on the radio discovered years later to our amazement that we were familiar with much of the jazz idiom, Joni too found herself adding jazz artists to her sound, starting with her drummer, Russ Kunkle's suggestion that she really should work with a jazz drummer, through the L.
While she lost some of her fans during this transition, others stuck with her. I felt that some of the heart and intimacy and elegance was left behind at that point plus, I was never a jazz devotee.
I found out from reading this book that the writing of these albums coincided with her heavy use of cocaine; this would explain some of the compulsive cramming of lyrics into rhythms without the mitigating and transformational effect of her beautiful melodies from early songs.
However, I have also come to understand that an artist needs to follow the path that compels them, and this Joni certainly did.
Being aware of Joni's illness following her collapse from a brain aneurism in , I was starting to worry that the author was presenting her life story as if she were already gone.
However, spoiler alert he ends the book with a graceful and rather hopeful account of her last appearances, coming back from that illness. Joni Mitchell is an artist who was always a genius; driven to reveal truth and beauty and fearlessly demanding from other musicians what she needed for her vision of her music.
If you look at early videos of her performances, she was a young, breathtakingly beautiful young woman with a startlingly lovely voice.
As the years went by and she wrestled with her life and her career, her determination and even aggression overtook some of that innocent beauty, but her songs themselves continued to be shining realities.
As the author keeps quoting from her lyrics, "Nothing lasts for long," but nothing can take those songs away. This is an excellent book, worthy of its subject.
One caveat--I kept asking myself, as Yaffe interpreted her feelings and intentions embedded in her songs, whether the fact that he was a man colored in any way his view of her.
He quotes many, many male fellow-musicians, but only one or two women. Chaka seems to have appreciated Joni's spunk.
Joan Baez condescending explains why a prison audience of Black women booed Joni off the stage, saying that Joni did not know how to speak to Black women.
Baez was no stranger to aggressive ambition herself, so it is not surprising the two did not hit it off. Judy Collins relates how hurt and insulted she felt that Joni was not properly grateful for Judy launching her career by having a smash hit with her cover of "Both Sides Now.
So that was one bit of queasiness I felt. The other was the way the author kept weaving lines from Joni's lyrics into his descriptions of her life.
I suppose it was hard to resist. And it was sort of a dog whistle, because only fans who really knew her lyrics would even notice; others would just think he was trying to be poetic.
Having said all that, all in all, it's an excellent biography. Plenty of emotional baggage there, but that seemed to provide the perfect fuel for her creative fire.
Indeed, many of her best seeringly autobiographical songs are set in the wake of personal disasters, usually revolving around her turbulent love life.
It was only in the s when, for a while, she was happily married to her bassist, Larry Klein, that the creative well seemed to run dry. Also, Joni was far more musically diverse and eclectic than the aforementioned counterparts.
Whereas they usually stuck to tried and tested blues and country formats, her influences extended into jazz and even ballet.
During the 70s and 80s, on her albums and live tours she was accompanied by the cream of jazz-rock players, including Wayne Shorter, Larry Carlton, Robben Ford and Pat Metheny She frequently thought of herself as a painter first and songwriter second but, whereas, her music was usually ahead of the curve, she eschewed then current artistic forms like abstract expressionism in favour of older masters such as Van Gogh, Rousseau, early Picasso, Klimt and Magritte.
Overall — eight years in the making — this is a biography befitting the greatest female singer-songwriter of her generation. Mar 14, Louise rated it liked it Shelves: biography , music-musicians.
The short jacket note on the author shows David Jaffe to be an academic with an award for fiction. Jaffe shows wide knowledge of music in a year period inclusive of pop, folk and jazz.
Unfortunately, the prose needs an editor. The text can be a slog at times. An example of the choppy writing is the p. Then on p.
Jaffe discusses tuning and chords, the influences of those who worked on the albums, the lyrics, mood and the reasons behind Joni's personnel choices and how the albums fit the context of her life.
With the emphasis on music the financial side is weak. Most music-related bios cover the contracts and how the musicians scurry to fulfill album requirements or wait out their duration.
While there are some signings the terms are hazy. The closest you get to money is in mid-career, when Joni says she has never received a royalty check.
Some are married Some are written into music hers and other's and interviews. Joni essentially ended her writing career in , and the book essentially ends there too.
There is out of sequence information on finding her daughter which seems to be tacked on. The book rambles to a close.
In between a weak beginning and ending you get a lot of information on this singer-songwriter's life and career. The book is most meaningful when you know the songs and the people profiled.
Joni Mitchell is a difficult subject, perhaps this can be a starting point for the next intrepid biographer. Nov 24, Debbie Boucher rated it liked it.
I am a fan of Joni Mitchell, and while I appreciated David Yaffee's focus on her music, this biography was a slog. I only recommend it to those who truly admire Mitchell's music and are interested in that aspect of her life.
Yes, there are details regarding her many lovers and her reunion with the daughter she gave up for adoption, but as a reader, I was left with the impression of Mitchell as woman who is difficult, full of herself, and always has been.
It made me sad. I enjoy reading biographi I am a fan of Joni Mitchell, and while I appreciated David Yaffee's focus on her music, this biography was a slog.
So reader beware. All of us have only so much discretionary time, and this biography may not be worth it. That book is now ten years old, but it's more fun and equally informative.
Jul 27, julieta rated it really liked it Shelves: young-americans , music , memoir-biography. I have plenty of mixed feelings about this book.
On the one hand, I loved all the stories around Joni, about musicians around her, who she worked with, the process of each album.
That part was great. On the other hand, the author chooses to tell things that I find invasive, not just of her own privacy, but of everyone she crossed paths with.
I guess I would have loved to read a memoir by her, not this guy telling you what she is like. There is a very thin line in biographies, the personality of I have plenty of mixed feelings about this book.
There is a very thin line in biographies, the personality of the biographer is important, and this author seems to like gossip just a bit too much.
Still, there is love for her work here, so that makes it worth it. Mitchell gets the book she deserves; detailed, balanced, and while full of respect and admiration inclusive of actions, events and statements that do not paint the lady of the canyon in a flattering light.
The author's deep understanding of music allows a depth not normally found in biographies of this sort. Expect feeling a need to work your way carefully through Mitchell's catalogue while reading, and once you've finished this.
I have really enjoyed reading something other than a thriller for a change. This book, while no great shakes as a biography, was very interesting in terms of its content — i.
She is one of my heroes. What a remarkable lady! Jan 26, Tuck rated it really liked it Shelves: music-and-others , fsg. And a through but not wonky look at all her albums.
Has some pictures and end notes. Feb 15, Mark rated it it was ok. A recurring motif in Reckless Daughter is the attempt to find a suitable comparison for Joni Mitchell.
The author, the subejct, and contemporaries of hers take their best shot; Miles Davis, Rembrandt, Beethoven, Schubert, Van Gogh, and Picasso are all mentioned.
But mostly, they, like all comparisons, do a double disservice, to Mitchell and the other party. Having crudely delimited the rarefied artistic territory Mitchell inhabits, Yaffe does little to build on her status as a musical genius.
This lack of life on the part of the author seems linked to the lack of life breathed into a subject who has never before been accused of seeming lifeless.
But more often, his offerings are trite, if not downright specious. Yaffe undercuts his subject in other ways as well, including unsourced speculation at various points, even when it flies in the face of on-record statements, as if he wants to include certain famous and certainly famously disproven myths in the book to ensure that they were part of the historical record.
The endnotes suggest that Yaffe relied on interviews far more than any archival material in writing Reckless Daughter , and besides being lazy, this approach also causes real distortion in the narrative at points.
Fortunately, Joni Mitchell herself was interviewed at length, and her voice in direct quotes is probably the single best aspect of the book; just getting to hear her casual phrasing, wordings, and tossed-off lines is a treat.
But the worthwhile anecdotes, the great Joni quotes, feel like breadcrumbs not dropped as a trail but merely fallen to the earth more or less at random after being tossed indiscriminately upwards.
The structure, to the extent that it exists, is the most rudimentary imaginable; Yaffe intends to proceed straightforward chronologically, yet still manages to make a muddled jumble of events, overlapping timelines without apparent intent.
This carelessness is pervasive. There are missing words, misused punctuation marks, awkward phrasings, factual errors, sloppy misattribution of dialogue; the endnotes are skimpy, the index is incomplete and indifferent.
Taken in combination with his apparent lack of rigor in researching Mitchell—biography is a genre in which I would always be happy to see some of the work in the writing—none of this is surprising after a while; while Reckless Daughter lacks anything in the way of an authorial point-of-view, it at least has an obvious reason for existing: Yaffe pretty clearly wanted to be the first in the market with a major, substantial Joni Mitchell biography.
Dec 22, Judy rated it really liked it Shelves: bad-women-books , biography , music-musicians. Joni Mitchell's first album was released in March, I was an off and on student at the University of Michigan in Ann Arbor, dropping out and then enrolling again.
Eventually a couple friends of mine helped me figure out her open tunings Joni Mitchell's first album was released in March, Eventually a couple friends of mine helped me figure out her open tunings and how to finger the chords.
I finally saw her perform live in the very coffeehouse where I met my first husband and where we would get married in April, She played "Little Green.
I cannot describe how much all of this influenced my life. Reading this account of her life, which has its problems but is the best biography about Joni so far, was such a personal experience for me that I find it hard to fully express all that it meant to me.
I finished it a few weeks ago and am still processing all the memories and feelings stirred up. If I ever get to that part of my own memoir, having read this year by year, album by album account will help immensely.
Thank you David Yaffe. So I will only say that if you were a woman of heart and mind from the late 60s onward and at any point fell in love with Joni, you will want to read this book.
Especially if you lived a life of conflict between your dreams for yourself and the demands made on you as a woman, you will find much to ponder.
It is all here. Jul 21, Corey rated it really liked it Shelves: didnt-finish. I think music journalism is just not my thing.
The writing was engaging and interesting. Each chapter told the story of one of her albums, essentially, in chronological order from her first album on.
Her childhood was also very interesting. However, I did lose interest right around the time that I had to return my copy to the library. I just love her music and wanted to enjoy the music — I was less interested in being voyeuristic about her life or her art, as much as I was interested and thought that the knowledge would improve my appreciation for her songs, that turned out to not be the case.
Oct 26, Chris added it. Every reader has their own experience of the artist. It is the album I heard first and through which I discovered her others.
Elaboration on just why it's my favorite album will have to wait for my own biography An openair concert, Joni complained after a few songs that too many people were wandering around and left the stage for 30 minutes, so we could "settle down".
She came back, played a few more songs and complained, "I guess I'm just pooped. I felt ripped-off. Life, for me, got so much better than that. Reading about the tour now, I can conjecture that perhaps she was drained by some of the polio-related fatigue she was experiencing at that time.
At the time, for me, I experienced disappointment. I found this oppressive. It is not an opinion I agree with, though, in the gatefold insert from Miles Of Aisles album which I cut from the copy I borrowed from my local library and saved, Joni looks particularly radiant.
Joni is, and deserves acknowledgement primarily as, a musical genius. Yaffe, justly, does elaborate on Mitchell's inate phenomenal musical ability.
It was enlightening and inspiring to read about Mitchell's creative path through what can be a industry built on rote procedures for hits and blockbusters throughout her career.
There is much of Joni's personality that could have been explored deeper. Does she really have an "inner black man" that allows her to masquerade as the zip coon character with impunity?
Who decides? What's behind that animosity she holds for Jackson Browne? Reading this book will have you playing songs already heard a million times listening now for something new.
You will be scrolling through your favorite digital jukebox for songs of hers that have so far eluded your ears. Well, that happened to me, anyway Oct 31, Robert rated it really liked it Shelves: biography , music.
During the rest of the eighties and throughout the nineties Mitchell would release a new record every few years and I would always be all over it, right away.
And he paints a convincing, well-rounded portrait of Mitchell as an enormously complicated, mercurial, brilliant, but often unpleasant person i.
He reveals a lot of startling information about her personal life over the years, but his work is generally strongest when he's examining the inner workings of Mitchell's creative process.
I was absorbed throughout. While I have mixed feelings about her as a person, Mitchell is one of my genuine musical heroes.
She is Her Own Thing, standing apart. It's no surprise, but reading Reckless Daughter spurred a week-long Joni music binge, which I enjoyed even more than the book as above, was startled at how much I got into Mingus, which I'd previously admired more than I enjoyed.
Four out of five stars, and get completely well soon, Joni. Reckless Daughter is a biography of legendary songstress Joni Mitchell that seamlessly combines biographical details with analysis of her lyrics and her musicianship.
For those of us who grew up with her music, but never bothered to learn the biography, it was quite interesting to learn that she grew up in Canada, had polio as a child before widespread application of the Salk vaccine, had a child out of wedlock at a young age who she gave up for adoption, and other details.
Many of these things Reckless Daughter is a biography of legendary songstress Joni Mitchell that seamlessly combines biographical details with analysis of her lyrics and her musicianship.
Many of these things appeared in our affected her music. And, her use of so many altered and open tunings being a function of her polio-injured left hand the fretting hand.
And for all those couples who have argued over whether "Both Sides Now" was really Judy Collins song or a Joni song, here's what really happened.
And, of course, the stories about how Crosby, Stills, And Nash started and which of them Joni dated and how she missed Woodstock to appear on Dick Cavett.
I was also struck by the range of artists who were fascinated by the Lady of the Canyon, including that Led Zeppelin's "Going to California" particularly the line about the queen who plays guitar and cries as she sings was an ode to Joni.
And, the young Prince as a teenager in Minneapolis wide-eyed at Joni's concert. Who woulda thunk? A truly fascinating read and I especially appreciated the focus on the musicality rather than endless summaries of tours and setlists that you find in so many rock biographies.
The last third wasn't quite as interesting to me because the music of hers I am familiar with is the late sixties and early seventies, not the later material.
Mar 07, Dale Boyer rated it it was amazing. For fans of Joni Mitchell and I'm a huge one , this is probably about as good as it's going to get.
I was hesitant to read it, because someone remarked that it changed the way they thought about her. I don't mind seeing her as more complex.
And the book is fascinating in all the detail it gives about her music and her career. I totally devoured this b For fans of Joni Mitchell and I'm a huge one , this is probably about as good as it's going to get.
I totally devoured this book, and if you're a fan of her music, I think you will, too. Feb 20, Dave rated it really liked it.
Granted, Joni Mitchell is an innovator who has lived the life of an artist, creating some enduring music, and this book is well written, but after a while Joni wears you down.
She lacks warmth or generosity of spirit, unlike Springsteen or Robbie Robertson in their recent books, which made it difficult to finish. Jun 12, Bob rated it really liked it.
My starting assumption that most rock criticism is written by English majors who focus entirely on the lyrics at the expense of the music was pleasantly belied by Yaffe's giving considerable attention to Mitchell's innovative use of open tunings and her unique harmonic and melodic style.
Not that the lyrics get short shrift - he nicely balances what can be known of her literary and poetic background with her tenuous relationship to actual "folk" music, and adds a lot of well-researched based on My starting assumption that most rock criticism is written by English majors who focus entirely on the lyrics at the expense of the music was pleasantly belied by Yaffe's giving considerable attention to Mitchell's innovative use of open tunings and her unique harmonic and melodic style.
Not that the lyrics get short shrift - he nicely balances what can be known of her literary and poetic background with her tenuous relationship to actual "folk" music, and adds a lot of well-researched based on dozens of interviews biographical analysis of the sources of her lyrics, none of which feels forced because she was exactly that autobiographical.
Once her recording career has gotten underway, there is a pretty strict one chapter per record model that manages to fit in all the ancillary detail you could want.
As we approached "Mingus" where I got off the train , I began to worry if the latter part of the book would sustain my attention.
Perhaps aware that this might be a problem, Yaffe seems to accelerate and compress a bit plus she only really released 6 records in the following 20 years.
Both since he seems to be a gracious person and since this is to some extent "authorized", Yaffe is very even-handed in presenting whatever you might want to know about Mitchell being a rather difficult person.
Well beyond her standing up for herself as a woman in the music industry refusing to work with record company appointed producers , she seems to have fallen out with, and subsequently maligned, pretty much everyone she's ever worked with the fact that she never kept her romantic and musical life at all separate probably doesn't help.
The 80s were not kind to many of her generation which she raged against unabashedly and the stories of celebrity package tours and collaborations with everyone from U2, Peter Gabriel and Don Henley to Thomas Dolby are not happy.
However, Yaffe's analysis and fandom is compelling enough that I might take a listen to some of the later records.
Oct 29, Cynthia rated it really liked it Shelves: biographies. My sister gave me Song to a Seagull when I was in high school and Joni Mitchell's albums--from Ladies of the Canyon through Hejira--lived with me from then through college and after.
She was important to me because she was a female artist, living mostly alone, writing about the difficulties of loving men and loving herself at the same time; of negotiating independence and closeness.
She was an image of a kind of female power that seemed possible to me. Court and Spark and Hejira were and are my My sister gave me Song to a Seagull when I was in high school and Joni Mitchell's albums--from Ladies of the Canyon through Hejira--lived with me from then through college and after.
Court and Spark and Hejira were and are my favorite. I have enjoyed watching her go from flower child songwriter to jazz singer to crabby old opinionated powerful crone.
I don't like her more recent music, but I do like many of the crazy things she says to the press. This book is not wonderfully written. The writer repeats himself and tells us what "Joni" is thinking with an authority I find annoying.
He writes things like "the art of losing isn't hard to master"--irritating because he's showing off his erudition. He's certainly done a lot of research.
I appreciated learning more about her relationship with Jaco Pastorious, and what he brought to her records; I appreciated the interviews with her husband, the descriptions of her grueling tours, and the descriptions of what she created musically.
The writer fawns over her--do we really think she's a genius? I suspect a woman would have written this book differently.
The necessary courage and ego and thin-skinnedness and skill of an artist, though, is pretty well caught.
I stayed up most of the night reading this book. Ah, well. This was such an honest yet celebratory novel. I loved how much you could just tell Yaffe loves and admires Mitchell.
Everything he wrote was filtered through that and what came out was such a feeling of warmth versus coming off as a little preach-y which i feel like a lot of bios, especially historical and musician biographies, can.
I guess what I enjoyed most about this was what everyone enjoys the most about Joni - it offers a steady reminder that in softness there is strength.
All that being said, I felt like this dragged some towards the middle. At times I felt as if I were just reading a string of album reviews, but that may be because the first third or so of this was so rich in personal anecdotes and behind the scenes stories of Joni's life outside of music and art.
I think I just was unsure about where this was headed after that. I love Joni. I liked this book. Readers also enjoyed. Biography Memoir.
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Von Amazon erhält Claudia eine Auswahl aus ihren angegebenen Interessengebieten. Ich darf maximal fünf nicht-rezensierte Artikel gleichzeitig haben, bevor ich neue bestellen kann.
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Ich sehe manchmal, was andere für Produkte bekommen, da staune ich nur. So berichtet er, Babynahrung angeboten zu bekommen, obwohl er kinderlos ist.
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Hier besserte Amazon Ende Oktober nach. Auf Amazon gibt es damit also nur noch hilfreiche Bewertungen.Auf der Handelsplattform herrscht keine Klarnamenpflicht, nahezu jedes Vine-Mitglied tritt nur unter einem Pseudonym und ohne Kontaktdaten auf. Meistens Beste Spielothek in Niederaudorf finden es da allerdings um Fake-Mails, welche im Namen des Versandhändlers verschickt werden. Auch ohne den Weiterverkauf ist das Rezensieren aber lohnenswert. Aw: Gaming PC für ca. Unsere Produkttester werden angehalten, zu jedem Produkt ihre wahre Sky Deutschland Online ungeschönte Meinung als Rezension abzugeben. Dabei handelt es sich bei diesen Produkten, nicht um wirklich wertvolle oder technisch gefragte Produkte. Teilweise konnten wir bei bestimmten Nachrichten Entwarnung geben. Vine-Tester dürfen die Produkte nach dem Test behalten. Klaus S. Auf Amazon gibt es damit also nur noch hilfreiche Bewertungen.